8 5 6 5 8 6 5 Barry Harris Workshop DVD : Sample Rhythm / Scale Exercise 5 6 5 7 5 8 6 5 7 5.
Barry Harris Jazz Workshop Pdf ReaderDiminished Dimensions – Howard Rees' Jazz Workshops. If you lower any note of the middle diminished chord, you get a dominant seventh chord; so you have a family of four possible dominant seventh chords to work from. If you raise any of the notes, you get a family of min. Since these chords are all related by their II- V connections, they. Jump in and play through the examples beginning below, and hear what you can do by looking at the diminished seventh chord this way. Practice these examples in all 1. To associate it with a dominant chord, let. Next, we can play the Ddim. Bbin the bass, and it. Drop the second note from the top of the chord down an octave; this puts the Abdown onto the bass staff, making a nice shell voicing in the left hand. The Abmin. 7b. 5 is from the family of II chords in the . Taking all the notes of the Drop 2 voicing into account, we now have an E7 over the Bb, and E7 is indeed from the family of V chords in the . Really, all we want you to think is this: Move the F up a half- step to a note from the . Piece of cake, and you: get this nifty moving line that drives you to the resolution. The scale and not the chord is the basic unit in the Barry Harris system.
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